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Single by Chumbawamba

"Tubthumping"
TubthumpingHQ.jpg
Single by Chumbawamba
from the album Tubthumper
B-side
  • "Adieu to the Crown"
  • "Football Song" ("Shit Ground, No Fans...")
Released xi August 1997 (1997-08-11)
Studio Woodlands (Castleford)
Genre
  • Dance-rock
  • alternative rock
  • dance-punk
Length
  • four:38 (anthology version)
  • 3:33 (single version)
Label
  • EMI
  • Universal
  • Democracy
Songwriter(s)
  • Chumbawamba
Producer(south)
  • Chumbawamba
Chumbawamba singles chronology
"Just Look at Me Now"
(1996) 		"Tubthumping"
(1997) 		"Amnesia"
(1998)
Sound sample
  • file
  • help
Music video
"Tubthumping" on YouTube

"Tubthumping" is a song released by British rock band Chumbawamba from their 8th studio album, Tubthumper (1997). It is the band's most successful single, peaking at number ii on the UK Singles Chart. It topped the charts in Australia, Canada, Republic of ireland, Italy, New Zealand and hit number half-dozen on the U.s.a. Billboard Hot 100[1] (although it topped the US Modern Rock and Mainstream Peak 40 charts). At the 1998 Brit Awards, "Tubthumping" was nominated for the Brit Laurels for Best British Unmarried. Information technology sold 880,000 copies in the Great britain.[ii]

Groundwork [edit]

The song was the group's pb single from Tubthumper, their major-characterization debut.[3] Information technology was released on eleven August 1997.[4] [5] Vocaliser Dunstan Bruce retrospectively observed that, before the group wrote it, they "were in a mess: we had get directionless and disparate". He credited "Tubthumping" with changing that, telling The Guardian, "It's not our most political or all-time song, but it brought united states of america back together. The song is near united states of america – as a class and as a band. The beauty of information technology was we had no thought how big it would be."[half-dozen]

Writing and composition [edit]

A Leeds pub chosen the Fforde Grene served as the group'south inspiration for the vocal; guitarist Boff Whalley told The Guardian that it was written virtually "the resilience of ordinary people";[6] musically, "Tubthumping" is a trip the light fantastic-rock, alternative rock, and dance-punk song in D major.[7] [8] [9] [10] [11]

Critical reception [edit]

Larry Flick from Billboard wrote, "Some records merely demand attention: 'Tubthumping' is one of the rare few. You can spend three times the track's running time plucking out the seemingly disparate sounds and assorted genre references—starting with the forceful alterna-rock guitar scratches, the hip-hop-derived beats, and the swing-mode horns. Holding it all together are the kind of rousing, gang-like chants that you hear at football game games. Sounds odd, eh? Well, yous won't soon forget this jam after offset listen. And you'll likely be hearing it on pop and mod rock stations for months to come. If this precious stone is indicative of the tone of the act's forthcoming anthology, it should be quite a head trip."[12] A reviewer from Daily Record described it as an "irritating catchy drinking canticle from the anarchist band".[13] It was besides called a "raucous canticle".[14] Pan-European magazine Music & Media said, "Subsequently a decade and a half spent as indie heroes this commonage is likely to break into the mainstream in a big manner".[15] Ian Hyland of the Sunday Mirror rated it viii out of ten, writing, "Sing a terrace dirge, mention lager and the rugby boys will be making boozed-up human pyramids on the dance floor in seconds. And you'll have a monster striking – good work, chum."[sixteen] Troy J. Augusto from Diverseness declared it every bit a "drinking-and-dancing canticle" and "the quirk striking of the flavour".[17]

In The Village Vocalization's Pazz & Jop poll for 1997, "Tubthumping" was voted the 2nd-best single of the yr.[18] Australian radio station Triple J ranked information technology No. 3 in its Triple J Hottest 100 for the same year.[nineteen] Writer Bruce Pollock included it in his 2005 book "The 7,500 Well-nigh Important Songs of 1944-2000".[20] "Tubthumping" also placed at No. 12 in Rolling Rock 's 2007 list of the "twenty Most Abrasive Songs"[21] and at No. eight in the magazine's 2011 list of the "Top 10 1-Hitting Wonders of All Time".[22]

Commercial performance [edit]

Upon its release, the vocal became an international hit.[23] On the UK Singles Chart, it debuted at number two on the chart dated 23 August 1997; it spent 3 consecutive weeks at number 2, held off the top spot by Will Smith'due south "Men in Black."[24] [25] [26] The song spent xi consecutive weeks in the top 10, and 20 sequent weeks on the meridian 100.[27] On the chart dated 24 January 1998, three weeks after its last week on the chart, the song reentered the singles chart at number 88; the adjacent week, it fell to number 96 before exiting the nautical chart.[27]

In the U.S., the song debuted on the Billboard Hot 100 dated 13 September 1997, at number 79.[28] The next calendar week, it rose to number 63, attaining the week's biggest gain in airplay.[29] Ii weeks later on, on the chart dated 4 October 1997, the vocal was again the biggest airplay gainer of the week, entering the elevation xl in its rise from 47 to 35.[30] In its 12th week on the chart, 29 November 1997, the song reached its peak of number 6, where information technology spent two weeks.[31] In total, it spent 31 weeks on the Billboard Hot 100.[32]

The single was likewise present on many year-end singles charts for 1997. In the U.G., it ranked equally the year'due south seventh near-pop single,[33] while it placed at number 3 on Australia's top 100 songs of the yr.[34] The unmarried too placed in the peak xx of the year-end chart in Sweden[35] and in the top 100 of 1997 in Kingdom of belgium, Canada, Germany, kingdom of the netherlands, New Zealand, and the United states of america.[36] [37] [38] [39] [twoscore] [41] In the U.S., it placed at number 35 on the Billboard Hot 100'south year-terminate ranking for 1998.[42]

Runway listings and formats [edit]

Charts and certifications [edit]

Release history [edit]

"Tubthumping" (2003 Remix) [edit]

"Tubthumping (remix)"
Single by Chumbawamba
from the anthology Readymades and And then Some (Bonus DVD)
B-side
  • "Salt Fare, Northward Sea"
  • "Jacob's Ladder (Not in My Proper noun)"
Released 2003 (2003)
Label Koch
Chumbawamba singles chronology
"Jacob'due south Ladder (Not in My Proper name)"
(2002) 		"Tubthumping (remix)"
(2003) 		"Home with Me"
(2003)

"Tubthumping (remix)" was released in 2003 as a promotional CD by Chumbawamba on Koch Records. The remixed version of the song was washed past The Flaming Lips and Dave Fridmann.[93]

The single was released promotionally by Mutt Records, with their previous unmarried, "Jacob'due south Ladder (Not in My Name)", as a B-side.[94] It was besides included on the bonus DVD accompanying Readymades then Some, the rerelease of their 2002 anthology Readymades.[95] Stereogum also made the vocal available equally a costless MP3 download in June 2004.[96]

Rails listing [edit]

The states promo CD [97]

  1. "Tubthumping" (remix) (past the Flaming Lips and Dave Fridmann) – 5:twenty
  2. "Salt Fare, North Ocean" – 4:28
  3. "Jacob's Ladder (Not in My Name)" – two:52

Legacy [edit]

I get knocked down simply I get upward again

A neon sculpture on the Leeds Playhouse features the lyric "I get knocked down but I become up once more".[98] During the COVID-19 pandemic in Leeds, the song was given a remix by local young musicians and sportspeople.[99]

Meet also [edit]

  • Listing of number-1 singles in Australia during the 1990s
  • List of RPM number-i alternative rock singles
  • List of number-one singles of 1997 (Ireland)
  • List of number-1 singles from the 1990s (New Zealand)
  • List of Billboard Mainstream Peak 40 number-one songs of the 1990s
  • List of Developed Top 40 number-one songs of the 1990s

References [edit]

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External links [edit]

  • Song Review at AllMusic
  • They Might Be Giants encompass "Tubthumping" for A.V. Club Surreptitious

roneywilesire.blogspot.com

Source: https://en.wikipedia.org/wiki/Tubthumping

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